YUKIKOMIZUTANI is pleased to present Invisible Landscapes, an exhibition featuring Choun Minok and Baku Kiyokawa, on view from November 4 (Wed) through November 28 (Sat), 2026.

Though working in distinct visual languages, both artists seek to approach realms that have yet to enter conscious awareness, drawing out their contours and bringing them into view.

Choun Minok takes the act of seeing itself as a point of departure, questioning the assumptions that underlie our perception. By juxtaposing images and forms that appear unrelated at first glance, Minok brings to light latent relationships between things. This approach invites viewers to become aware of the frameworks through which they perceive the world, while opening up possibilities that have long gone unnoticed.

Baku Kiyokawa, meanwhile, employs a unique technique known as Bakugan to move beyond the artwork as a purely visual object. Through this process, lines are transformed from things to be seen into traces that can be touched and felt. Her practice begins with an attentiveness to the potential for bodily capacities to change, unfolding as an artistic response to an uncertain future. Her work pursues the possibility of an art that excludes no one, opening up new ways of reorganizing perception itself.

Together, the practices of these two artists offer a perspective from which to reconsider the world not as a collection of isolated elements, but as a dynamic process of continual connection, reconfiguration, and becoming. At the same time, their works raise fundamental questions about how we understand and perceive the world, and why we so readily accept particular modes of understanding as self-evident.

This exhibition does not seek to offer definitive answers to these questions. Rather, through the works of both artists, it aims to create an open space in which viewers can reconsider the frameworks of their own perception and thought, and imagine new ways of relating to the world.